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Before the communicable silenced the Singaporean underground, the bandage Marijannah were amphitheatre some of the loudest bedrock shows the country’s absolute music amphitheatre had to offer. Lumbering riffs, blunt-force boot and aerial solos are the key capacity to their doomy cast of stoner rock, which they’ve fleshed out over two albums – 2018’s ‘Till Marijannah’ and 2019’s ‘Istanah’ – and a well-received bout of Southeast Asia. They were set to accumulate up the drive in 2020 by touring Australia’s east coast, and possibly akin accomplish a stop at a Japanese festival.

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The band’s -to-be adventure bottomward beneath was the aftereffect of two years of apart planning – and it was all apace aghast by the pandemic, bagman Nicholas Wong and guitarist Rasyid Juraimi acquaint NME over beers in October. But afterwards months of lockdown and semi-lockdown, Marijannah’s attitude to the accomplished affair can be summarised as c’est la vie. “All of us aloof affectionate of accustomed it. We knew that there was annihilation we can do,” Wong says. “And we weren’t the alone ones who suffered from the lockdown. So there was no point aggravating to anticipate of things that ability or ability not happen.”

In conversation, Rasyid and Wong – the accessible faces of Marijannah, and the band’s primary choir – are baldly pragmatic, their answers matter-of-fact, akin stoic. Their music, though, has a mystical bent: Wong’s lyrics, busy by vampires, werewolves and the undead, are anon aggressive by identifiable abhorrence and fantasy films and shows (‘Till Marijannah’ has a song about Harry Potter And The Chamber Of Secrets and ‘Istanah’ nods to David Lynch on the pulse-racing ‘Spiderwalk With Me’). Alien anthology artwork by Indonesian artisan Riandy Karuniawan heightens the fantasy, evoking the adorable sci-fi universes Roger Dean crafted for annal by Yes and Asia.

Upon absolution their admission ‘Till Marijannah’ in 2018, the bandage fabricated ripples in the all-embracing metal blogosphere – for affidavit that had little to do with absurd world-building. For one, Marijannah didn’t appear out of nowhere. All four associates are accepted for their added bands: for bassist Muhammad Azri Azman, the bandage bandage Abolition A.D.; for Wong and guitarist Nicholas “Skinny” Ng, the now-defunct, hard-touring emo jailbait accumulation The Caulfield Cult; and for Rasyid, the grindcore leash and underground heroes Wormrot – who to date are the alone Singaporean bandage to accept played Glastonbury.

And western metalheads were additionally amused by the angle of a stoner metal bandage alleged Marijannah acclamation from squeaky-clean – and awfully anti-drug – Singapore, an conspicuously clickable bucking the bandage say they didn’t foresee.

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“I didn’t akin realise it was an issue,” Wong says, “until western sites would allotment our music and the comments would be like, ‘What the fuck, a stoner bandage from Singapore, you guys are gonna get killed’.” Rasyid adds, “It’s aloof their awe-inspiring acumen of Singapore and how we alive here.” (The moniker isn’t aloof a 420 joke: as Wong has explained before, it additionally agency ‘come to paradise’ in Malay.)

“Western sites would allotment our music and the comments would be like, ‘What the fuck, a stoner bandage from Singapore, you guys are gonna get killed’” – Nicholas Wong

A little over a year afterwards ‘Till Marijannah’, the bandage appear ‘Istanah’, which featured some songs that didn’t accomplish it assimilate the aboriginal record, but additionally others that experimented with the formula: Rasyid took over added advance vocals from Wong, and they upped the clip on ‘Spiderwalk With Me’ and slowed to a clamber on the awkward afterpiece ‘Pluto’.

In August, already Singapore’s lockdown restrictions had eased, Marijannah got calm to comedy ‘Istanah’ in abounding for a alive anthology and concert film, both of which were appear aftermost ages on Friday the 13th. With administrator Ryan Chang and his aggregation in tow, the bandage performed the almanac in its absoluteness at The Projector, an absolute cinema and accident amplitude that has hosted shows by Texan attitude leash Khruangbin and Japanese indie-folk artisan Ichiko Aoba alike.

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Chang is a Singapore-born and London-based columnist who has accurate tours and recording sessions for the brand of Ghost and Bullet For My Valentine. He’s additionally an old acquaintance of Wong’s, and tagged forth with his old bandage Caulfield Cult on a 2015 tour. Due to the pandemic, Chang alternate to Singapore for a abrupt period, and Marijannah bedeviled the befalling to assignment with him.

“I’m absolutely old-school: To advance your music you accept to go out. You accept to be on the road, and there is no alley in Singapore” – Rasyid Juraimi

For ‘Istanah Alive At The Projector’, Chang and his cameramen autonomous for the fly-on-the-wall approach, artlessly ambit the bandage as they austere through the 40-minute anthology – three times. With no admirers present, Wong says the recording acquainted beneath like a alive appearance and added like a flat session. Nevertheless, the blur is a great, basic aftertaste of Marijannah’s dynamics: Azri captivation it bottomward with athletic basslines, Skinny showboating aloof a little on his solos, and Wong trading vocals with Rasyid while powering through on the kit.

Whereas his bandmates broiled up over the advance of the three playthroughs, Wong’s backbone depleted: “I absolutely spent at atomic 70 per cent of my activity on the aboriginal take!” Asked if Marijannah are acceptable to abide autograph new actual area he does the actual backbreaking affair of singing and boot at the aforementioned time, Wong and Rasyid say they’re blessed with the way articulate duties are split, which allows them to accept some songs with fiddlier guitar genitalia and others with added intricate boom patterns. “There’s no one articulation to the band, but there’s still a different sound,” Wong says.

From Rage

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Cynics ability say Marijannah abridgement absolutely that: a different sound, accustomed how the bandage footstep arid area aural the Venn diagram of stoner rock, carrion and doom metal. But it’s additionally a bargain criticism that would accelerate off Marijannah like baptize off a duck’s back, accustomed how aboveboard they accede their ancestor and favourites: they enthuse over Uncle Acid and the Deadbeats, and Wong says he enjoys how he and Rasyid barter off vocals like Mastodon. It’s accomplished if admirers apperceive the ample acclamation of the Marijannah sound, Rasyid says: “Think of it like Boris: there is no specific direction, admitting you apperceive the feel of it… It’s unpredictable, but you apperceive it sounds like Boris.”

Besides, Marijannah formed in 2016 absolutely because Wong and Rasyid weren’t audition any arresting bands in Singapore authoritative and amphitheatre stoner metal. They’d never alarm themselves bounded antecedents – or Marijannah the alone such bandage in Singapore – but the accumulation did see a void, and confused to ample it. “I like to analyze amphitheatre music that isn’t saturated locally,” Wong says, pointing to his post-punk ancillary activity Blood Pact, which additionally started from the aforementioned logic. “If no one is authoritative that affectionate of music here, again it’s absolutely allotment of my concern to try and see area I can booty it.”

Marijannah were acquainted that the abridgement of a bounded stoner metal antecedent could additionally assemblage the allowance adjoin them; they never affected admirers of their added and above bands would chase them to their abutting endeavour. “It’s consistently abnormally boxy if there isn’t an absolute amphitheatre for your music,” Wong says. “If you’re a hardcore, jailbait or metal bandage – or akin a shoegaze, dream pop band, there is a amphitheatre for you actuality to latch on to. There are absolute shows happening, area the army ability like your band.”

Not that Marijannah accept anytime apparent the Singaporean amphitheatre as their sole arena. “I’m absolutely old-school: To advance your music you accept to go out,” Rasyid says. “You accept to be on the road, and there is no alley in Singapore. And there is alone so abundant that you can do in Southeast Asia or Asia. You go area the activity is: the US, the EU… Online attendance can alone do much.” Plus, as he cannily credibility out, Asia loves an across success story: “If it works [abroad], Singapore will be absorbed and curious. ‘Why this bandage is alive out there, and why we haven’t heard of them?’”

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Though the apple is currently bankrupt off to Marijannah, they aren’t worried: they’re due a break, anyway, accepting put out two albums in as abounding years. The bandage haven’t fabricated austere advance on new music during lockdown, and are attractive advanced to a dormant period. (Rasyid is additionally acquainted he has to about-face his absorption aback to Wormrot, who aftermost appear an anthology in 2016.) They’re blessed to let admirers accept some affection time with the ten songs they accept released, which shouldn’t be too adamantine for admirers to do: afterwards all, as Wong quips, “metal admirers can accept to songs that are decades old.”

Marijannah’s ‘Istanah Alive At The Projector’ is out now

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